Kate Langsdorf writes about why she never took an unpaid internship.

In this Howlround series, Kate highlights some of the twenty theatre job titles she’s held over the years, rating them based on their level of awesomeness / non-awesomeness through the lens of her physical disability. Each position is ranked on a scale of one to five possible canes.

In this installment, I’m going to do something a little different: I’m going to tell you about a theatre job that I have never held. It’s a position that’s often deemed essential to success in the field, and one that I feel I’ve missed out on by not experiencing. But dude. There’s no way I can envision a world in which I could accept an unpaid internship.

First, credit where it’s due: As an industry, we seem to agree that unpaid internships are less-than-ideal at best and the Devil’s armpits at worst. Center Theatre GroupRoundabout Theatre Company, and Seattle Repertory Theatre come to mind as organizations committed to paying their interns, and I love this about them. A longer list comes to mind of organizations where there is perhaps commitment in the heart of many individual employees, but no commitment in the actual budget. In this case, purity of the heart is no substitute for cold, hard cash. And a transportation stipend.

Unpaid internships create a million barriers. Economically disadvantaged young people are especially precluded from the ability to work for free all day. We all seem to agree that a candidate would need another source of income to be able to pull off an unpaid internship, whether that is parental support or a solid side-hustle. However, not everyone has the physical capacity to work a morning shift at the coffee shop, a nine-hour day at the theatre, and then head on over to their night shift at the bar. I couldn’t have pulled it off. I simply don’t have that level of hustle in my uncooperative body. And, frankly, neither do any of us. We usually do it anyway, much to the chagrin of our future selves and our future selves’ cardiologists.

We theatre professionals can get weird about the idea of paid internships when challenged on our policies. On the notion of working additional jobs to afford acceptance of an internship, I have heard exactly one metric ton of, “Well, that’s what I had to do when I was in college.” Yes, there’s value in that, and you should absolutely be proud of how hard you worked on your way up the career ladder. I’m not here to rob you of the sense of accomplishment to which you’re entitled, at least not the first two times you tell me about how you worked in that coffee shop. But the third time you tell me this as justification for not paying your interns a stipend, I might make you some The Great Gatsby word art to hang above your desk:

In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.

“Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.”

It will be tasteful and hip. A teal square with gold, embossed letters in a whimsical font, matted in white. And you’ll be like, “But I wasn’t advantaged! Sure, my parents were wealthy robber barons, but I put myself through college. It was important to me to say no to their money.”

So, on the next gift-giving occasion, I will install a video exhibition in your cubical that plays Pulp’s “Common People” on a loop. In the viewing area, there will be a floor cushion, upon which I will embroider, “Watching roaches climb the wall / If you called your dad, he could stop it all.”

If, after that, you’re still all, “But the problem with these millennials is that they don’t understand the value of hard work. They’re so entitled. It would be unpatriotic for me to pay them for this internship,” I’m just gonna change your screensaver to scrolling text that reads, “Check your privilege, oppressor.”

The real reason we don’t pay our interns is that we don’t have the money. That’s a respectable reason. Any potential candidate who doesn’t come from a proud tradition of robber-baronry won’t think less of us for not being as rich as we’d like.

When we can find the money, though, let’s prioritize a decent stipend for our interns. And if we can’t do that, let’s at least stop pretending we’re doing our prospective interns a favor by declining to pay them.

Conclusion:  I give unpaid internships a Disability Awesomeness Rating of 5 out of 5 canes if you have a disability that precludes you from working 75-hour weeks, but your parents are super-rich. If that describes you, take that unpaid internship with my hearty blessing! It’s a great experience that will certainly help your career. And maybe also talk to your mom about the sweet tax write-off she’ll get if she sponsors your theatre’s internship programs during the next fiscal year.

If, however, you’re a mere normal person, this job gets 1 out of 5 canes. You’ll still have insider access to all kinds of fancy theatre stuff, but you won’t appreciate it as it’s drowned out by the sweet, siren song of your bed/your next dose of Advil.

Source: Theatre-ing While Disabled: Intern Edition


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