Andrea Lepcio in HowlRound poses the question:
Can we create musicals that allow women to be all that they are: good, bad, ugly, and beautiful? Can we celebrate being female? Can we celebrate being human?
If you Google feminist theatre, you get a strong HowlRound piece “Feminist Theatre: What does It do and How Does It Do It?” and a scattering of articles over the years, none in 2017 and one in 2016. There is a fair amount of coverage of gender parity, but where is the bigger thinking and wondering?